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In the days following his death, it was revealed that Cheung had been diagnosed with, and was receiving treatment for, clinical depression. On April 1, 2003, Cheung was found dead at the Mandarin Oriental Hotel in Hong Kong, having died by suicide. He was also criticized for his portrayal of gay characters in other works, such as his music video for the track вЂњжў¦е€°е†…жІі ,вЂќ which broadcasters in Hong Kong censored outright.

He was constantly scrutinized for being openly queer and for having a same-sex relationship with his childhood friend, Daffy Tong Hok-tak. CheungвЂ™s role in the film reflects his personal struggles with his sexuality and the publicвЂ™s perception of it. вЂњFarewell My ConcubineвЂќ premiered in Hong Kong, and was initially banned in mainland China for two months due to its depiction of homosexuality, suicide, and the Cultural Revolution. вЂњFarewell My ConcubineвЂќ follows the tragedies of DieyiвЂ™s life, as he loves a heterosexual man, but MaoвЂ™s Red Guards force him to denounce his love as a reactionary and a deviant. In the film, Cheung plays Dieyi, a boy raised to play female characters in a Chinese opera troupe because of his perceived feminine features.

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The movie takes place in China during the Cultural Revolution, when ideas deemed bourgeois and reactionary were denounced, leading to the destruction of many Chinese artifacts and historical art forms. Of them, CheungвЂ™s most acclaimed role is undoubtedly in вЂњFarewell My Concubine,вЂќ a film that explores art and artists in a changing world that no longer seems to have room for either. His roles in iconic Hong Kong films like вЂњA Better TomorrowвЂќ and вЂњA Chinese Ghost StoryвЂќ have left lasting influence on a wide range of cinematic genres, ranging from action to romance, and they remain some of the most iconic roles in Hong Kong film. In вЂњжњ‰иЄ°е…±йіґ ,вЂќ Cheung sings, вЂњLook up at the quiet starry sky / I walk alone, the rain at night gradually stops / Speechless is the calmness of this moment.вЂќ At times, not even the bustling streets of a city can offer someone to confide in.Д¬heung is just as renowned for his acting as he is for his music. The intimate and sentimental quality of CheungвЂ™s music is reminiscent of how deeply personal loneliness can be in a dense metropolis like Hong Kong.

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Many of his songs feature a slight echo to his voice that further amplifies this feeling, and the slow, synthesized orchestral riffs in tracks like вЂњ жѓідЅ вЂќ add a professional sheen to his music, as well as a sense of nostalgia.

With his high, yet firm voice, Cheung imbues his music with an extremely personal and intimate quality, giving listeners the feeling that he is calling out to them in the hope that his sadness will be recognized (even if they donвЂ™t understand the Cantonese lyrics). Most of CheungвЂ™s songs deal with themes of unrequited, or otherwise unsuccessful, love. вЂњThe Wind Blows OnвЂќ became the first of CheungвЂ™s gold-certified albums, and kicked off an overwhelmingly successful musical career in which he released 10 more albums that were certified gold or platinum.ДЄnother striking aspect of CheungвЂ™s music is how evocative it is of his birth city. As a re-recording of a song by a female artist, вЂњThe Wind Blows OnвЂќ highlights CheungвЂ™s wide vocal range and the calm, yet passionate quality of his voice, which allows for a uniquely androgynous expression of sentimentality. The track established the kind of music he would become famous for: R&B-esque ballads featuring sentimental lyrics about loneliness and love. He eventually found musical success with his first single, and titular album, вЂњйўЁз№јзєЊеђ№ ,вЂќ a remake of вЂњ гЃ•г‚€гЃЄг‚‰гЃ®еђ‘гЃ“гЃ†еЃґ вЂќ by Japanese singer Momoe Yamaguchi. He spent his youth in English boarding schools and universities, where he was neither fully British nor fully Chinese.Д¬heungвЂ™s career in entertainment started off slow, with his first three albums flopping, and his cinema career starting with roles in softcore pornography.

Born in the British Crown colony of Hong Kong as the son of a successful tailor who catered to Hong KongвЂ™s white elite, Cheung had a childhood emblematic of his city.

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The exotic, cosmopolitan glitz of '80s Hong Kong offered them a window into a fantastical, wealthy, and free world in an era when their schoolsвЂ™ classes were often cut short due to tear gas flooding the classroom.ДЄmong the many Cantopop celebrities, no one wore the fantasy and freedom of Hong Kong better than Cheung Kwok-wing, widely known by his English name, Leslie Cheung. From movies and music to overly dramatic television commercials, Hong Kong culture was everywhere, and stars like Andy Lau and Joey Wong captured the hearts of Korean teenagers. No discussion of 1980s Korean culture would be complete without mentioning the phenomenon that was Cantopop.